In the last site news, I talked about how simply including people of various identities in your work isn’t enough. Creators have an increasing awareness that representation of marginalized identities in fiction is important, but lacking good examples, many don’t know what good representation actually looks like. This leads to an effect where creators fill their work with as many different identities as possible without giving those experiences the depth of treatment or culturally competent touch they deserve. Such works can feel like they were cast by checklist: “Okay, we’ve got a lesbian character, a trans woman, and a trans man, we just need a gay guy and a bisexual. Flip a coin for the bisexual’s gender.”
webcomic reviews
Travelogue
Many, many hands are wrung all the time about the dearth of original ideas in the world, and how to create something new. Sometimes the answer lies in simply combining elements from existing genres – supernatural detectives, alien spies, pop witches. And while the results of these mashups can be a lot of fun and, yes, original, sometimes a better route is to take an existing genre and subtract things from it.
Star Trip
Nerds are frequently bad at naming things. Most of you probably know what “jumping the shark” means – the point at which an ongoing story starts to go downhill. If you haven’t heard of its counterpart “growing the beard” you’d be forgiven, because it’s honestly kind of a terrible name. Like so many fandom terms, it’s a reference to Star Trek; fans of TNG noticed an upturn in the quality of episodes around the time that Riker grew a beard in the second season. In addition to “growing the beard” bringing to mind a bizarre visual out of context, the beard in question isn’t even what caused the show to get better, making the entire thing kind of inexplicable (cue hatemail from beard enthusiasts). Maybe there are better options for how to refer to this phenomenon.
Baopu
You probably know Yao Xiao’s work already, even if you don’t remember her name. The artist’s recent comic “If you want to say thank you, don’t say sorry“, published on Autostraddle, recently went viral on social media – and for good reason: it presents a simple mental tool for redirecting the impulse to apologize into something more positive. For those of us conditioned to apologize for our very existence, that small reminder of our worth is incredibly powerful.
Poppy O’Possum
Today I want to talk to you about coding. Coding is a sort of cultural shorthand in fiction, a set of traits and cues that draw parallels between a particular group or character in a story and a real-world demographic. It’s used as a shortcut, allowing writers to tap into their audience’s preconceptions about a real group of people to gain a better understanding of a character and their background without a ton of exposition.




