Kids fantasize about being adults, or at least they fantasize about having the freedom and power that adults seem to have. That’s why so much of media made for children features kids doing adult things: solving mysteries, fighting monsters, having adventures, thwarting adults. Oftentimes kids have the clarity and imagination to see the supernatural for what it is, while their parents are too stuffy and boring to see what’s in front of their eyes. In these stories, kids get to be the heroes by playing the part of adults.
Many, many hands are wrung all the time about the dearth of original ideas in the world, and how to create something new. Sometimes the answer lies in simply combining elements from existing genres – supernatural detectives, alien spies, pop witches. And while the results of these mashups can be a lot of fun and, yes, original, sometimes a better route is to take an existing genre and subtract things from it.
Ozzie the Vampire
I was never much of a metalhead. I mean sure, in high school I listened to the same antisocial noise as every other disaffected youth in those days – NIN, Godsmack, Kittie, etc. – but I never had any goddamn taste about it, and I certainly never got into the, shall we say, scene. And given the fact that, in hindsight, that particular scene is pretty hostile to women and people of color, I was always glad I dodged that particular bullet.
A common piece of advice creative types hear is “work every day.” That’s not always possible for everyone for various reasons, but generally pushing yourself to practice your craft as much as possible is indeed good advice, and some artists who take that philosophy to heart manage to be incredibly prolific. What the people giving that advice don’t always tell you is that most of that “work” is actually going to be garbage not fit to see the light of day, and that some of the things you work on won’t (and shouldn’t) ever be finished. And that’s okay.
I love monsters. Monstrosity is a concept that’s important to me. As a transfeminine person, monstrosity is a label forced on me by transmisogyny. As a nonbinary person, monstrosity is a position I choose to reclaim as an alternative to maleness or femaleness. Monsters are a potent symbol, the unknowable adversary that stands against and in contrast to humanity. But also I just think monsters are cool as hell, so what.