Yes, I’m going to talk more about early-2000s webcomics. No, I’m not sorry. Okay I’m a little sorry. But the differences between modern webcomics and, for lack of a better word, “historical” webcomics are fascinating, especially when identifying the strengths and failures of the medium throughout the years. For instance, the most obvious stylistic influence on modern webcomics is clearly other webcomics; there’s a self-sustaining culture that has grown up around putting pictures with words on the internet. But back in the day? The biggest influence on most early webcomickers was newspaper comics.
It generally doesn’t help to dwell on things past, especially creative endeavors. When a comic dies – even a great comic – it’s usually for real and good reasons, and in my experience it’s better to move on from failed projects than to try to revive them later. But that doesn’t mean there aren’t some that I miss.
There’s a lot of talk in video game analysis about game designers’ overwhelming reliance on violence as a mechanic, and the culture that it encourages. There are, of course, reasons why violent video games are so popular; they allow players a relatively harmless outlet for negative emotions, for one. Certain kinds of violent games also encourage ideas about masculine power and the perceived link between “manliness” and violence, letting men fantasize about shooting people without having to deal with the real-life consequences of doing so. And of course, making characters you only interact with through murderation is a lot easier, development-wise, than letting you have, like, a meaningful conversation with them.
There are certain comics that I might, if pressed, refer to as “entry level”: comics that are accessible, easy to read and follow, and that tell original, quality stories that are nonetheless a bit familiar to readers. Comics you can recommend to new friends, acquaintances, people you don’t really know – comics that can enjoy a fairly wide appeal. Then there are comics that I would have to call… “advanced”.
So the Ignatz Award nominees were announced last week, and two comics from my reading list were on it: Witchy and O Human Star, both extremely deserving works by skilled (and queer!) authors. There was another comic nominated that I was less thrilled about – so much so that I felt the need to go out of my way to write a review of it. If that makes me petty, so be it; I’ve got an axe to grind with Super Mutant Magic Academy.