On A Sunbeam


There are interesting layers of meaning to the word “soft”. In one sense, it can mean comfortable, inviting, pleasant to touch. In another, it conveys instead looseness, a lack of structure, or a yielding quality. These connotations have an unspoken gendered quality to them – “soft” is code, in so many ways, for “feminine”, and whether something being soft is a good or bad thing betrays much about the speaker’s attitude towards femininity. As a case in point, whenever a dude dismisses something as “soft scifi”, I get the sense that he prefers scifi that follows strict rules, that doesn’t deviate from real-world scientific theories, that dispenses with ooey-gooey trivialities like “romance” and “feelings”, and that he would call these things “hard scifi”. Tillie Walden’s On A Sunbeam is not for that guy. This is a comic that is proud of its softness, and with good reason. A story of young love,…

Slacker Gamer Comics


Webcomics have been happening since basically the beginning of the web itself, but it wasn’t until the dot-com boom of the late 90s that the medium began to attract attention and grow in a significant way. The “build it and they will come” optimism of this period made the majority of web content completely unbearable, and webcomics were no exception; much like how every asshole with a half-baked business model thought the internet would make them a millionaire, suddenly there were dozens of mediocre dudes who thought that the world wanted to hear their video game opinions.



Autobiographies are a dangerous creature. If you think of a story as a product, something a writer produces for consumption by readers, then when you craft an autobiographical work, the product isn’t merely your story – it’s you. In many ways, what you’re selling is yourself. (This is an update to an old review I had removed. I feel that it now meets my new standards.)