Super Mutant Magic Academy

C-

So the Ignatz Award nominees were announced last week, and two comics from my reading list were on it: Witchy and O Human Star, both extremely deserving works by skilled (and queer!) authors. There was another comic nominated that I was less thrilled about – so much so that I felt the need to go out of my way to write a review of it. If that makes me petty, so be it; I’ve got an axe to grind with Super Mutant Magic Academy.

Missing Monday

A

I sometimes have dreams where I fall in love with a made-up dream person. The person is perfect for me, and makes me feel safe, loved, and accepted like few people in the real world can. But when I awaken, all that I remember is that feeling; I couldn’t tell you a single thing about the person, not even what they looked like. 

Snarlbear

A-

I love monsters. Monstrosity is a concept that’s important to me. As a transfeminine person, monstrosity is a label forced on me by transmisogyny. As a nonbinary person, monstrosity is a position I choose to reclaim as an alternative to maleness or femaleness. Monsters are a potent symbol, the unknowable adversary that stands against and in contrast to humanity. But also I just think monsters are cool as hell, so what.

Iothera

B+

When I first started Yes Homo, I had vague ideas about keeping it kid-friendly, the sort of thing a guidance counsellor or gay aunt could recommend to a kid. That’s pretty obviously out the window at this point, given that a quick look at my reading list turns up nine links marked “nsfw”, some of which are literally pornography. I’ll defend my inclusion of these to anyone, though, because works of an explicitly sexual nature need good queer and trans representation too. I do still want to keep Yes Homo work-safe though, so you won’t find any nudity under the cut.

Dragondove

A-

There are some stories that are ingrained in the queer psyche, ones we’re all familiar with, if not from our own lives, then the lives of our friends or partners. They’re not usually happy stories, but they are important to tell, and to hear. I like queer genre fiction that’s pure escapism, sure, but including something of these real life tropes can create a potent power fantasy that’s even more satisfying. I’m talking about things like “being stuck in an isolated hick town and wanting to get out” or “seeing your abusive ex who turned all your friends against you” or “your caravan getting attacked by a dragon on your quest to become a cool outlaw”. What? Is that one just me?